David shooting lynx tracks for the BBC series “Secrets of Our Living Planet” using his homemade camera dolly and ladder for track
There are a lot of camera sliders and dollies on the market but we were happy to try out a new offering from www.trostmotion.com
Before our Trost review, I must say I was a little skeptical when I first saw the units. I have been using a small camera dolly running on a ladder or plastic pipes (2″ white poly pipe) and have enjoyed the flexibility and ease of setting such a system in unusual places. It also lends itself to long runs (6′-16′)
The smaller size of the two Trost units seemed less useful at either one metre or 1/2 metre lenghts. Then I got to try them out in the field and my opinion changed dramatically.
Rather than retasking skate board wheels like many sliders / dollies manufacturers, Trost have decided to go with a soild rail that can either mounted on a hihat, straight onto a tripod head, or even vertically.
The rails are on the heavy side, but this is required in order to make them sturdy enough and also means camera moves are smooth and positive. The cart that travels down the rail wraps around the unit, meaning that you can tilt and pan the fluid head as usual and don’t get any unwanted motion in the slider, other that the required left/right motion used to create great reveal shots. Systems that rely on a cart running on rails, and based on a wheel system, mostly have to be kept level.
David shooting in Wales Alaska
We have tested the units in far north Alaska in the early spring when temperatures only reach minus 20 degrees C, as well as in the tropics of Brazil while shooting a recent music video with recording artist Luisa Maita, represented by Cumbancha Music.
David and Cotton working with recording artist Luisa Maita
We both love the versatility of having a short slider directly mounted on the fluid head. Not only can you do great reveal shots by combining a pan with a slider move to come out from behind an object to reveal a subject, but if an actor / performer does not quite hit their mark, you can subtly slide the camera to make sure framing works well. Then being able to add a tilt without fear of any unwanted movement or the system falling off the rails, is the a great way to keep the camera moving. The rig can then be picked up and thrown over the shoulder, in order to move to the next location.
Cotton and David working at Fernando de Noronha, Brazil
There are still times when I will definitely use the long rail system I have but the new Trost sliders are a very welcome addition the travel kit. We have already strapped one to my backpack and dragged it on a 6400 mile journey through South America and are departing today with it for the Antarctic. We both agree that we are VERY impressed with the build quality and reliability, ease of transport and we are still discovering exciting new ways to use a slider that can be combined with a fluid head to create three axis of camera movement. We would recommend it to anyone in the business or anyone just shooting for fun.
Can’t wait to see what other new products Trost come up with in the future!
Now off to the airport, first stop the Falklands, then South Georgia and the Antarctic on board the NG / Lindblad Explorer to teach another digital storytelling workshop.
Here is a better view of the 100cm version for our Trost review.
Technical specs for the sliders
1 rail (100cm)
1 carriage with folding 3/8″ stud
Adjustable drag speed control
2 rotating baseplates
3 quick release collars
total dimensions 40.3 x 3 x 1″
024 x 76 x 25 mm
max carriage travel 31″
weight 15 lbs 6.8kg
temperature of operation -31°F-212°F -35°C-100C°
head compatibility carries any tripod head with female 3/8″ hole or another Trost slider with Trost quick release collar
support compatibility mounts on top of any 3/8″ or 1/4″ male screw or C-Stand end, or on tabletop.